I had the pleasure of representing Cedric Smith in my galley, Eclectic Connection, several years ago. He is one of the nicest artists I have had the opportunity to work with. I loved his art then and I love it now. I can’t get enough of that Funky Stuff!
Cedric Smith was born in Philadelphia in 1970. He grew up in Thomaston, Georgia, where he moved with his family when he was a young boy. He currently resides in Savannah, Ga.
Smith is a self taught artist who while eschewing the “so-called rules of art”, has created a personal genre of work. Smith started painting postage stamps with images of African Americans after hearing a line from Public Enemy front man Chuck D: “most of our heroes don’t appear on no stamps.” Later, he moved to painting magazine covers and now, he focuses on vintage-looking advertisements, calling attention to the lack of Black representation in advertising. He draws on a wide range of influences and sources, both traditional and contemporary, and which include landscape art, pop art, brand advertising and photography to express his poignant observations of life in the rural south. A prolific artist, Cedric works with a honed discipline on his compositions, seamlessly morphing photographic images into his richly textured pieces, applying and removing layers and lettering.
Cedric has a blog called Vintage Blood, where he posts new paintings and stunning photographs along with his vintage finds. Please visit Cedric Smith and his art at CedricSmith.com
African Barber signs from Ivory Coast courtesy of Indigo Arts Galley
The Hairdresser and Barbershop Signs of Africa are original boards from barbershops and hair-salons in the Ivory Coast, Ghana, Burkina Faso and Tofo dating from the 1970-ies to the present day.
African Barber signs from Ghana courtesy of Indigo Arts Galley
The advertising signs contain all aspects of a specific popular genre, with similarities and differences mirroring the times of their appearance – the stylistic signature, fashion trends and influences from abroad, at the same time revealing a strong respect for the traditional ways of combing hair – the starting point for almost all modern hairstyles. Inherited ideals that meet and merge with contemporary expressions, in this case, new and authentic stylizations and imported styles, create a harmonious symbiosis evident in varying formal designs in the context of elaborating hairstyles for the purpose of creating a visual embellishment of the head.
African Barber signs from Burkina Faso courtesy of Indigo Arts Galley
Advertising boards were made by specialised, self-taught artists, who used colours to paint previously determined motifs on wooden, plywood, or less commonly on metal surfaces, most often with the very expressive use of pure colours. The paintings mostly portrayed figure motifs which symbolised certain respectable professions, or certain products and brand names. Besides the pictorial, the boards also conveyed written messages and signs. This specific combination of symbol and written message which characterises African painted signs have not changed since the emergence of this art, except to the extent of corresponding to the spirit of the times.
African Barber signs from Togo courtesy of Indigo Arts Galley
Today there are a number of artists all over Africa who are specialized in the painting of advertising boards. Their work advertises a wide spectrum of products and professions – from movies, restaurants, hotels, discotheques, buses, car mechanics, cobblers, tailor shops, state, health and religious institutions to the new trendy hairstyles.
Contributor: The Museum of African Art; Belgrade, Serbia
